Creative Campus

TUSCALOOSA, Ala. - The University of Alabama’s Creative Campus will again host poet and Zen Buddhist priest Zoketsu Norman Fischer at The University ofAlabama January 17-19, 2012 to read from his latest book of poetry, “Conflict” (Chax Press 2012), as well as offer intercultural discussion forums and meditation sessions.  All events are free and open to the public but for some events reservations are encouraged.  Creative Campus presents these events free and open  to the public with the support of Honors College, Crossroads Community Center, Faculty-in-Residence, Housing and Residential Communities, Blount Undergraduate Initiative, Gorgas Library, the English Department’s Visiting Writers Series, New College, Asian Studies, History and Religious Studies, Hillel House, and St. Francis’ Student group.  For event related questions or for more information call 205-348-7884 or visit www.creativecampus.ua.edu.  For more information on Zoketsu Norman Fischer visit www.normanfischerzenpoetry.com or www.everydayzen.org.

Event Information

Tuesday, January 17

9:00 am - 10:30 am – Meditation Session – Riverside Community Center – Reservations 348-7884 – BYO cushion & mat

3:30 pm - 4:45 pm – Compassion: Intercultural Community Conversation – Ferguson Center 2^nd Floor, Crossroads Lounge

7:30 pm - 9:00 pm – Poetry reading from “Conflict” and other selections – interactive reading, conversation, book sale/signing – 205 Gorgas Library

Wednesday, January 18

6:30 pm - 8:00 pm – Meditation and Discussion “Judaism, Catholicism, Buddhism – Intersections of Spirituality” –– Bloom  Hillel Center (380 9^th Street - behind the Bryant Museum and the School of Music…) http://www.facebook.com/events/292367570801828/

Thursday, January 19

8:30 am - 10:00 am – Meditation Session – Riverside Community Center – Reservations 348-7884 – BYO cushion & mat

On “Conflict”

“The conflict Norman Fischer speaks of in this poem is an inherent component of the universe. He writes of the human dilemma, the struggles of daily life, and the desire to ‘hold the world in place,’ showing us how not to be mired in any one spot. Freedom is won by tirelessly moving forward. The lines breathe: the poet’s breath, and the complexity of his thought, visualized on the page.” –– Anne Tardos

Norman Fischer on Meditation & Poetry

Meditation is when you sit down, let’s say that, and don’t do anything. Poetry is when you get up and do something. Somewhere we’ve developed the misconception that poetry is self-expression, and that meditation is going inward. Actually, poetry has nothing to do with self-expression, it is the way to be free, finally, of self-expression, to go much deeper than that. And meditation is not a form of thought or reflection, it is a looking at or an awareness of what is there, equally inside and outside, and then it doesn’t make sense anymore to mention inside or outside.

–– from Beneath a Single Moon: Buddhism in Contemporary American Poetry

BIOGRAPHY 

Zoketsu Norman Fischer is a poet and Zen Buddhist priest. For many years he has taught at the San Francisco Zen Center, the oldest and largest of the new Buddhist organizations in the West, where he served as Co-abbot from 1995-2000. He is presently a Senior Dharma Teacher there as well as the founder and spiritual director of the Everyday Zen Foundation, an organization dedicated to adapting Zen Buddhist teachings to Western culture. 

A person of unusually wide-ranging interests, his Zen teaching is known for its eclecticism, openness, warmth, and common sense, and for his willingness to let go of everything, including Zen. His chief interests in addition to poetry and traditional Zen and Buddhist teachings, are the adaptation of Zen meditation and understanding to the worlds of business, law, conflict resolution, interreligious dialog (he works especially with Jewish meditation and Catholic intermonastic dialog), care of the dying (he has for many years been a teacher with and is emeritus chair of the board of the Zen Hospice Project), the world of technology, and anything else he can think of.

Norman was a member of a lively group of Bay Area poets in the 70's and 80's, and participated widely in readings, publications, and poetry performances during those years. He's collaborated with musicians and dancers to create at Green Gulch pageants for Buddha's Birthday and Parinirvana Day (Buddha's death day), annual events that have become San Francisco Bay Area institutions. He has often participated with the Beat Generation poets, especially Philip Whalen, Gary Snyder, and Michael McClure, close friends and mentors of his.

Norman's poetry is noted for its linguistic investigation, humor, off-beat spiritual insight, and variety. Of "Precisely the Point Being Made, " his 1992 collection, the poet and critic Charles Bernstein has written, "incandescently tranquil, the writing of Norman Fischer refuses to confront or confirm, preferring to give company along the way." His writing has been taught and written about in universities, and he has often read in the academy. Audio files of reading can be found at PennSound.

His latest collections of poetry are “Conflict” (Chax Press 2012), “Charlotte’s Way” (TinFish 2008), “Questions/Voices/Places/Seasons” (Singign Horse Press 2009), “Slowly But Dearly” (2004), and “I Was Blown Back” (2005). Other collections include "Like a Walk Through a Park" (1980), "On Whether or Not To Believe in Your Mind" (1986), "The Devices" (1987), "Turn Left in Order to Go Right" (1989), “The Narrow Roads of Japan” (1998) and "Success," (2000).

Other important books include his "Opening to You: Zen-inspired Translations of the Psalms" (Viking Penguin, New York, 2002) which is used liturgically by many Christian and Jewish groups and individuals. In 2003 his book about spiritual maturity “Taking Our Places: the Buddhist Path to Truly Growing Up” came out, and was greeted with critical and popular acclaim. It was on the San Francisco Chronicle Best Seller list, and won an award as one of the best spiritual titles of that year. In 2008 his new Dharma book, "Sailing Home: using Homer’s Odyssey to navigate life's perils and pitfalls," was published by Free Press. 

He is also the author of a prose memoir about Judaism and Buddhism called "Jerusalem Moonlight” (1995), and is a co-author of a book edited by Patrick Henry called "Benedict's Dharma: Buddhists Comment on the Rule of Benedict" (Riverhead, New York, 2001). His poetry and essays have often been anthologized. Perhaps the book of his he most enjoys is one he co-authored with a group of African-American high school students called “Racism: What About It?” which was a local best seller in Mill Valley, CA.

Norman has been particularly interested in the application of Zen to issues of Western culture and everyday life in the world. His Zen essays on topics ranging from racism to monasticism to romance appear frequently in “Tricycle,” “Shambhala Sun” and “Buddhadharma” and have been included in every issue so far of the annual “Best Buddhist Writing.” In addition to his regular work at Zen Center, and with Everyday Zen, he has taught extensively, with his old friend Rabbi Alan Lew, on the relationship between Buddhist and Jewish practice (work which has been discussed in Judith Linzer's book "Dharma and Torah"). He teaches Buddhist principles to business people, Buddhist compassion-in-action to lawyers and conflict resolvers, and poetry writing and appreciation to children and adults. He's led workshops at Esalen Institute in California, the Open Center in New York City, and Hollyhock Farm, in British Columbia, as well as at Zen Center, and teaches Zen regularly at Spirit Rock Meditation Center in California, as well as in Canada, Mexico, and Europe. He’s participated with His Holiness the Dalai Lama in conferences on Buddhist Christian dialog and non-violence.

Norman's workshops for business people entitled "Company Time," are held several times a year at Green Gulch Farm Zen Center in Marin, north of San Francisco. He does poetry retreats in various locations on the West Coast, and regular workshops and classes at Makor Or, the new Jewish meditation center in San Francisco founded by Rabbi Lew. He also teaches at Elat Chayyim, a Jewish meditation center in Connecticut. Norman was the "zen advisor" to Zoza, a now defunct clothing company started by a boyhood friend of his, Mel Zeigler, who created Banana Republic with his wife Patricia.

In 2002 he began work on the faculty of the Metta Institute, a new program dedicated to training health professional to serve as mentors for the dying.

In addition to his teaching with the Everyday Zen sangha in the Bay Area, Norman is guiding teacher to five other Zen groups: the Red Cedar Zen Community in Bellingham (WA), the Mountain Rain Zen Community (Vancouver, B.C.), Mar de Jade (Mexico), The New York Zen Circle (New York City), and the Seattle Soto Zen Group (WA).

Norman was born in a small town in Pennsylvania where he attended public schools; he went to college in upstate New York, and graduate school at the famed University of Iowa Writers’ Workshop (MFA) and the Graduate Theological Union in Berkeley, where he received an MA in the history and phenomenology of religion. He was a Danforth scholar and a Woodrow Wilson scholar.

He lives with his wife Kathie at Muir Beach, CA. a mile and a half from the Green Gulch Zen temple where he lived for many years. Their twin sons Aron and Noah live in Brooklyn; Aron is an attorney and Noah an installation and performance artist (see his website www.certainlynot.com ).

Under the auspices of UA's Office of Academic Affairs Creative Campus is a collaborative system connecting students, faculty, and community to nurture innovative thinkers who turn ideas into action.  Creative Campus seeks to serve as a hub of collaboration and creative activity at The University of Alabama.  At the heart of Creative Campus is the undergraduate and graduate intern program.  In 2011, the Creative Crimson Tide was featured as a part of Thomas Friedman and Michael Mandelbaum’s, “That Used to be US”. For more information on Creative Campus visit www.creativecampus.ua.edu 

The University of Alabama, a student-centered research university, is experiencing significant growth in both enrollment and academic quality. This growth, which is positively impacting the campus and the state's economy, is in keeping with UA's vision to be the university of Choice for the best and brightest students. UA, the state's flagship university, is an academic community united in its commitment to enhancing the quality of life for all Alabamians.

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Contact: Alexis Clark, Creative Campus Coordinator, (205) 348-7884, alexis.clark@ua.edu